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7mins
You’ve heard about your "lizard brain." But what about the other two?
John Templeton Foundation
9mins
No, emotions don’t happen TO you. Here’s what happens instead.
7mins
Science can’t stop aging, but it may be able to slow our epigenetic clocks.
4mins
Ancient societies revered dreams. Modern science tells us why.
5mins
Not all conflict is bad. Expert Priya Parker explains how “heat” can be harnessed for good.
5mins
Geniuses and prodigies are captivating. But generalists rule the world.
John Templeton Foundation
9mins
Your chronological age and your biological age aren’t the same thing. This ex-Yale professor explains how to tell the difference.
42mins
Sabine Hossenfelder talks about Albert Einstein, dead grandmothers, the physics of aging, and more in this full interview with Big Think.
7mins
Nobel Prize-winning scientist Paul Nurse defines the 5 core principles of life.
7mins
This network physicist is mapping the world's most significant data to create the most beautiful visualizations of information we have ever seen.
John Templeton Foundation
6mins
Aimless wandering is essential for understanding yourself. Here’s why.
4mins
Science has opened so many doors to humanity’s understanding of the world. Scientism shuts them. Here’s how to tell the difference.
1hr 25mins
Richard Reeves explains the big problems facing men today — and why no one is talking about them.
4mins
Forget AI. Gene editing is still our most powerful — and dangerous — technology.
6mins
From DMT elves, to God, to the figures in our dreams — why are humans so obsessed with the supernatural?
4mins
Asking the wrong questions can hold you back. Natalie Nixon explains how to ask divergent questions to become a great thinker.
5mins
Humans, like animals, are driven by instincts. But we also have wants. Here’s what that means for our lives.
5mins
Why do the worst people rise to power? University College London professor Brian Klaas responds.
9mins
Sabine Hossenfelder discusses the physics of… dead grandmothers?
6mins
This scientist made an algorithm to predict which artists succeed — all without even looking at their art.