Search
Philosophy of Art
An analysis of Indonesian cave paintings is reframing the history of human art, though whether the paintings really were created by human hands remains an open question.
“I believe that in the future, there will be a Francis Bacon of AI art,” Saltz tells Big Think. “We just haven't seen that artist yet.”
Big Think spoke with animator and animation historian Tom Sito about the cyclical evolution of animation.
You've certainly seen the paintings — but they don't depict what you think they do. Benjamin Moser discusses with Big Think.
Pure cinema is about removing redundancy so that even the smallest detail serves a purpose in relation to the bigger picture.
Those white, marble statues you see in museums all over the world were originally painted with bright colors.
The strange case of cultured ultra-thief Stéphane Breitwieser — who claims “art is my drug” — has divided opinion. Is it Stendhal syndrome?
A conservator from the Rijksmuseum explains how they went about investigating whether the painting is a genuine Rembrandt.
The value of art does not lie in the artwork itself but is instead determined by curators, collectors, critics, and other participants in the modern-day art market.
Million Stories
Like his "Mona Lisa," Leonardo da Vinci's "Lady with an Ermine" depicts a woman in a way that flouted the conventions of its time.
Successful forgers are remembered as great conmen, not artists. This is strange, considering their forgeries fooled even the most seasoned critics.
Rare and costly paints have shaped art history in unforeseen ways. Mummy brown caused one artist to bury his paint.
Is "The Garden of Earthly Delights" by Hieronymus Bosch a condemnation of sin or a celebration of hedonism? Art historians still aren’t sure.
Bernini created art for 8 different popes. In the process, he helped reinforce and redefine Christianity’s visual culture.
The so-called "court painter of Silicon Valley" was shaped by her youth in communist Poland but looks forward to a future ruled by celebrity robots.
Independent of cultural background, people seem to share a sense of what makes certain color combinations aesthetically pleasing.
Frank Slater’s book "Practical Portrait Painting" reveals the secrets of masters old and new, from Leonardo da Vinci to Augustus John.