Jonny Thomson

Jonny Thomson

Jonny Thomson taught philosophy in Oxford for more than a decade before turning to writing full-time. He’s a columnist at Big Think and is the award-winning, bestselling author of three books that have been translated into 22 languages.

Jonny is also the founder of Mini Philosophy, a social network of around two million curious, intelligent minds. He's known all over the world for making philosophy accessible, relatable, and fun. 

Two people face each other closely, each sipping from their own straw. The blue-tinted image, echoing the 37% rule of making choices, reveals only part of their faces, hinting at a moment of decision or connection.
When making any tough decision, the key is not to be overly exploratory or exploitative.
A person holds an oval mirror in front of their face against a blue background, with their reflection appearing abstract and distorted, evoking the surreal influence of ai on self-perception.
If AI is modeled only on human intelligence, will it inherit only human ways of seeing the world?
Black and white close-up of an older man with glasses, a bushy mustache, and beard, resting his chin on his hand and looking directly at the camera.
"For many people, the idea that consciousness is a set of tricks is offensive," the late philosopher told Big Think in 2012. "I think that's a prime mistake."
A digital illustration of a hermit crab with a shell resembling a human brain, shown in two square sections over the shell.
A conversation about intelligence and consciousness with philosopher Peter Godfrey-Smith.
A person stands facing a wall covered in sticky notes on the left; abstract blue and white sparkling patterns form a striking nexus on the right side of the image.
When your head is full of information, how can you actually make use of it?
A person wearing a wide-brim hat and vest crouches beside a tree stump covered with various fungi, gazing in wonder at the fascinating growths in the green forested area.
Wonder is like a guest you haven’t planned for.
A painting of a praying woman with clasped hands and an upward gaze appears through the outline of a keyhole, set against a black background, evoking an air of mysticism.
It makes no sense to talk about a “religious life” and a “public life” — there is just life.