Kevin Dickinson

Kevin Dickinson

A man with short gray hair and wearing a plaid shirt is seated at a wooden table in a dimly lit restaurant, smiling at the camera.

Kevin Dickinson is a staff writer and columnist at Big Think. His writing focuses on the intersection between education, psychology, business, and science. He holds a master’s in English and writing, and his articles have appeared in Agenda, RealClearScience, and the Washington Post. Follow him on LinkedIn and Twitter @KevinRDickinson.

A woman in a white dress sits on a chair by a window, reading a book in a softly lit room with a piano nearby, embodying the quiet charm of why read old books.
Reading classic books can teach you as much about the present as the past.
Out-of-focus trees in the foreground with a clear full moon visible in the dusk sky, evoking a scene worthy of tristan gooley’s natural navigation.
Natural navigator Tristan Gooley joins us to discuss the philosophy of reading nature’s hidden clues — and how relearning this ancient skill can help us see the world, and ourselves, with greater awareness.
Black and white illustration of a human brain with purple scribble circles and arrows pointing toward it on a light background, perfect for those interested in books about the brain.
Neuroscientist Rachel Barr shares her favorite books on the brain and how they shaped her approach to the field.
The word "liberalism" in white lowercase text is centered on a black background, surrounded by rough red circles drawn with a crayon effect, visually emphasizing the ongoing discourse on liberalism.
In “On Liberalism," Cass Sunstein argues that liberalism can only endure if we reclaim its core commitments and revive its spirit of freedom and hope for the future.
An open book, symbolizing dangerous books, burns with flames rising from its pages against a black background, its fiery reflection shimmering on a glossy surface.
In "That Book Is Dangerous," author Adam Szetela examines the rise of the “Sensitivity Era” in publishing and how outrage campaigns try to control what books authors can write and readers can read.
Black and white illustration of a ship at shore, with people unloading goods and interacting on land; orange arc marks part of the scene.
In the Embers series, historian M.G. Sheftall shares the stories of Hiroshima and Nagasaki’s last survivors and reveals why their testimony must endure.
Five books on consciousness and philosophy are displayed upright in a row against a pale background with abstract black lines.
These expert-recommended books try to answer the questions of consciousness, from its fundamental nature to its role in human experience and the natural world.