Kevin Dickinson

Kevin Dickinson

A man with short gray hair and wearing a plaid shirt is seated at a wooden table in a dimly lit restaurant, smiling at the camera.

Kevin Dickinson is a staff writer and columnist at Big Think. His writing focuses on the intersection between education, psychology, business, and science. He holds a master’s in English and writing, and his articles have appeared in Agenda, RealClearScience, and the Washington Post. Follow him on LinkedIn and Twitter @KevinRDickinson.

A set of large blue numbers from 1 to 9, with the number 2 in bold red and black scribbles drawn over it.
What’s in a number? Only a vanishingly small slice of your life, it turns out.
A man with glasses reads a newspaper, with a glowing lightbulb illustration above his head, symbolizing an idea or realization.
Reading isn’t just writing prep; together, reading and writing help writers think and generate original ideas through extended cognition.
Abstract illustration of two wide eyes with red irises peeking over a pale green, angular shape against a black background.
A tour of the literary cover-ups, extraterrestrials, and cryptids lurking in the bookish backwoods.
A woman in a blue dress sits beside a cradle with a baby; two adults are seated at a green table with a closed book, highlighting the enduring importance of books in an age of advancing technology.
Joel Miller, the author of “The Idea Machine,” joins us to explore why books are history’s most successful information technology.
Illustration of a person holding a cup while selecting a book from a shelf filled with various colorful book spines.
Revisiting the year’s noteworthy nonfiction.
A hand holds a small, round black device with a circular light, while a purple scribble curving around both hints at rewiring democracy.
In “Rewiring Democracy,” Bruce Schneier and Nathan Sanders explore how AI could strengthen democracy or undermine it.
Silhouettes of two people seated and facing each other with a large smartphone between them, displaying multiple thumbs-up icons amid a swirl of digital psychobabble.
Joe Nucci, author of "Psychobabble," joins us to discuss how the misuse of psychological language risks blurring the lines between everyday problems and clinical diagnoses.
A woman in a white dress sits on a chair by a window, reading a book in a softly lit room with a piano nearby, embodying the quiet charm of why read old books.
Reading classic books can teach you as much about the present as the past.
Out-of-focus trees in the foreground with a clear full moon visible in the dusk sky, evoking a scene worthy of tristan gooley’s natural navigation.
Natural navigator Tristan Gooley joins us to discuss the philosophy of reading nature’s hidden clues — and how relearning this ancient skill can help us see the world, and ourselves, with greater awareness.
Black and white illustration of a human brain with purple scribble circles and arrows pointing toward it on a light background, perfect for those interested in books about the brain.
Neuroscientist Rachel Barr shares her favorite books on the brain and how they shaped her approach to the field.
The word "liberalism" in white lowercase text is centered on a black background, surrounded by rough red circles drawn with a crayon effect, visually emphasizing the ongoing discourse on liberalism.
In “On Liberalism," Cass Sunstein argues that liberalism can only endure if we reclaim its core commitments and revive its spirit of freedom and hope for the future.
An open book, symbolizing dangerous books, burns with flames rising from its pages against a black background, its fiery reflection shimmering on a glossy surface.
In "That Book Is Dangerous," author Adam Szetela examines the rise of the “Sensitivity Era” in publishing and how outrage campaigns try to control what books authors can write and readers can read.
Black and white illustration of a ship at shore, with people unloading goods and interacting on land; orange arc marks part of the scene.
In the Embers series, historian M.G. Sheftall shares the stories of Hiroshima and Nagasaki’s last survivors and reveals why their testimony must endure.
Five books on consciousness and philosophy are displayed upright in a row against a pale background with abstract black lines.
These expert-recommended books try to answer the questions of consciousness, from its fundamental nature to its role in human experience and the natural world.
A minimalist drawing of a duck outlined in white against a gradient background, with an orange star shape marking the eye, invites you to question your perception.
“Who ya gonna believe: me or your own eyes?” Until you can assess your perception, the answer should be neither.
A hand pulls a green book from a library shelf, surrounded by tsundoku—the gentle art of collecting more books than you can read—with the silhouette of a person formed from the bookshelf and books.
The Japanese practice of "tsundoku" bestows joy and lasting benefits to those who make books an important part of their lives.
A woman sits in a Victorian-style room, reading a large book of classic books. She is surrounded by bookshelves, decorative objects, and a curtained window letting in natural light.
These short books offer insights and meditations on timeless themes, without the time commitment.
An older man with white hair and a suit receives a document from another man in a robe during an event, as several people look on in the background. In the age of viral misquotes, capturing such moments accurately becomes ever more crucial.
From Einstein to Twain, Garson O’Toole investigates the truth behind your favorite — and often misattributed — quotes.
A pyramid stands in a desert with three people in front, evoking experimental archeology; a modern McDonald's restaurant is visible in the background on the right.
In "Dinner with King Tut," Sam Kean examines how a burgeoning field is recreating ancient tasks to uncover historical truths.
A green skull in the background appears to stare through a glass of champagne centered in the foreground, evoking Agatha Christie poisons, all set against a black backdrop.
Kathryn Harkup, chemist and author of V Is for Venom, joins Big Think to discuss why Christie isn’t just a brilliant writer but a unique science communicator.