Tim Brinkhof

Tim Brinkhof

Tim Brinkhof

Tim Brinkhof is a Dutch-born, New York-based journalist reporting on art, history, and literature. He studied early Netherlandish painting and Slavic literature at New York University, worked as an editorial assistant for Film Comment magazine, and has written for Esquire, Film & History, History Today, and History News Network. 

Two scientists in lab coats and gloves examine a small transparent plate with colorful dots, held by tweezers, in a laboratory setting.
It’s been 65 years since Richard Feynman saw “plenty of room” in the nano-world. Are we finally getting down there?
Collage of geopolitical symbols, featuring a close-up of a man's bald head, China's flag, a globe highlighting Taiwan, and circuit patterns.
Both nations made missteps, but China still has a chance to make up lost ground.
Close-up of a colorful microchip wafer with geometric patterns and reflective surfaces.
Hang on to something — or ride the wave — because three big tech trends are about to converge.
A glitch art depiction of an old sketch reminiscent of Da Vinci, featuring a bearded man in a hat with digital distortion weaving through his face.
Burns’ latest documentary dives into the long-romanticized life and work of the Italian polymath.
"We are not our grandparents. It’s time to start thinking differently," journalist Annie Jacobsen told Big Think.
A globe is encircled by golden barbed wire against a gray background, evocative of autocracy and symbolizing restriction or confinement with a sense of luxury.
Modern autocracies operate "not like a bloc but rather like an agglomeration of companies," says journalist and historian Anne Applebaum.
A grayscale photo of a man is on the left page of an open book, while the right page features an illustration of a white dove with red accents on a yellow background, symbolizing freedom.
Historian Timothy Snyder talks with Big Think about how true liberty requires both negative and positive freedoms.