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Tim Brinkhof
Tim Brinkhof is a Dutch-born, New York-based journalist reporting on art, history, and literature. He studied early Netherlandish painting and Slavic literature at New York University, worked as an editorial assistant for Film Comment magazine, and has written for Esquire, Film & History, History Today, and History News Network.
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A.J. Jacobs looks back at what he learned about religion, himself, and modern American culture during “The Year of Living Biblically.”
Want to know how to handle work-life pressure? Big Think asked Warfare co-directors Alex Garland and Ray Mendoza.
Spotify's Co-President, CPO and CTO chats with Big Think about the science of discovery, Swedish innovation, C-suite podcasting, and more.
The latest season of the "Revolutions" podcast blends history with science fiction to tell the story of the Red Planet's rise.
From Allen Funt to Donald Trump, author Emily Nussbaum explains how reality TV has blurred the lines between, well, reality and TV.
“The only requisite for nonfiction is that it’s true," says Nathan Thrall, author of the Pulitzer Prize-winning book "A Day in the Life of Abed Salama."
“Neurotech is not just about the brain,” says Synchron CTO Riki Banerjee, explaining how their tech can help with paralysis, brain diseases, and beyond.
For a substantial part of human history, people thought smoking tobacco was perfectly healthy. Native American tribes, who introduced the tobacco plant to Europeans and — by extension, the rest […]
With no reliable way to discern the author of an artwork, we may eventually abandon the question of whether something was made by humans or not.
It’s been 65 years since Richard Feynman saw “plenty of room” in the nano-world. Are we finally getting down there?
"We are not our grandparents. It’s time to start thinking differently," journalist Annie Jacobsen told Big Think.
Modern autocracies operate "not like a bloc but rather like an agglomeration of companies," says journalist and historian Anne Applebaum.
Historian Timothy Snyder talks with Big Think about how true liberty requires both negative and positive freedoms.
The writer’s tragic death at age 46 has led many to view him as a tortured artist. Here’s why this label is reductive.
"No matter how long you’ve been doing a job or how good people say you are, you need to care as if you’ve never done it before."
With the right prompts, large language models can produce quality writing — and make us question the limits of human creativity.