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3mins
Cembalest, on the pressure of the bottom line on the artist, and the art markets.
1mins
Cembalest talks about the museums that leave no room for art.
4mins
Cembalest discusses museum funding, branding, and which museums she loves.
7mins
“Living in this apartment, working in this job, he really believed he was free.”
1mins
The reason for writing the book in secret.
4mins
Before the Paris Review, Rich worked at The New York Review of Books. Here he discusses what he learned from NYRB’s editor, Bob Silvers.
2mins
Rich’s editorial process looks like stacks and stacks of paper.
2mins
It’s not magical realism, Rich says. It’s closer to Bulgakov’s style.
4mins
A summer in Trieste inspired Rich’s first novel.
1mins
It started with an early obsession with Stephen King.